The third guitar is a Warmoth that I built for this purpose. The goldfoil pickup actually gives a better acoustic tone than the piezo in my view. I've actually pulled the active electronics out of this guitar and replaced the magnetic pickup with a Supro goldfoil type. The EQ on the acoustic side was pretty good at making the piezo usable as an acoustic sound. This one was fun to play in a two amp setup with one being an acoustic amp. I've tried several different piezo setups on this and the best sounding was a Schatten Soundboard transducer. One is a Godin A6 Ultra that I found really cheap. The piezo sounded horrible on this guitar. One of them is now a fretless guitar that also has a 13-pin jack on it and is mainly used to do fretless synth stuff. I have 3 guitars with piezo/magnetic combos that run out in stereo. I think it can be amazing to have two simultaneous outputs (humbucker and piezo) that can be recorded and processed with different fx Anybody has already try it and can share experience? STRING SPACING 52.4mm at bridge, 37.I fall in love "on paper" with the PRS SE hollowbody II piezo.NECK DEPTH 22.6mm at 1st fret, 24.9mm at 12th fret.NECK WIDTH 43.7mm at nut, 53.3mm at 12th fret.LR Baggs/PRS piezo system with dedicated volume control. ELECTRONICS PRS 58/15 ‘S’ bridge and neck humbuckers, 3-way toggle pickup selector, volume and tone.HARDWARE PRS Adjustable Stoptail Piezo, PRS-designed nickel tuners.BUILD Laminated maple top and back with flame veneers, laminated mahogany sides, Wide Fat mahogany set neck with 10”/254mm radius ebony fingerboard, 22 medium frets, bone nut.DESCRIPTION 6-string double-cut hollowbody electric, made in China.For those considering the non-piezo version, the extra scope on offer here is worth every penny of the upcharge. For credible acoustic textures in a band mix, plus an array of sophisticated electric tones and inspiring new blends, this superbly made instrument would be a fine addition to any player’s arsenal. Unless you are blessed with a road crew, integrating an acoustic guitar alongside your regular electric rig can be a chore. The Hollowbody’s piezo tones are not going to replace anyone’s pre-war Martin, but that’s hardly the point. Blending in the piezo signal adds some percussive spank to our overdriven rhythm sound – it’s a trick Pete Townshend has been employing onstage for many years and it works superbly here too. Engaging a drive pedal, any suspicion that the airy construction might deliver an unfocused lead tone is quickly dispelled – there’s sustain and grit aplenty from the USA-designed, Indonesian-made 58/15 ‘S’ pickups. We send the magnetic output to a Suhr Badger. We dilute our pick attack slightly to compensate for the comparatively light string gauge, but the acoustic-style textures here prove percussive and dynamically rich with a pleasing absence of telltale piezo ‘quack’. It’s always a little unnerving to hear acoustic guitar sounds emanating from an electric guitar, and with just the piezo volume engaged, this strangeness is accentuated by the three-dimensional realism of the tones on offer. We choose to test its capabilities by sending the piezo output to our Axe-FX III using a multiband compressor, a sprinkling of reverb, and a few other effects to help ‘stereoise’ the sound. Most players drawn to a piezo-equipped guitar will be interested in its ability to provide a realistic-sounding acoustic guitar emulation.
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